“Episode 4 saw the words Bad Wolf appear for the first time. I just made it up on a whim, cos I liked the idea of the TARDIS being graffiti’d. But then I spent the rest of the episode idly wondering who that kid was, why he wrote those odd words. And, having dismissed notions of Evil Super Villain Kid, a plan began to form, in mid-production. Knowing that Rose would become the Time Goddess at the end of the series, I wondered if a Time Goddess would imprint herself on the universe, creating things in her image, like the face of Jesus in a bagel. Better still, these signs would actually summon her into existence. That’s the sort of thing you think about in this job, late at night. And then I worked backwards, inserting Bad Wolf references into almost every script. Funnily enough, I never told anyone what I was doing, in case it didn’t work, but the design department picked up on it—they didn’t even ask what it meant, they just offered to stencil it on Captain Jack’s bomb, in German. The idea spread without anyone knowing what it meant. Which is very Bad Wolf in itself.”
— Russell T Davies, Doctor Who: The Shooting Scripts (via timelordsandladies)
This fight always reminds me that Jackie Chan is truly a modern day Chaplin/Keaton. When recognizing physical comedians, Jackie has to be considered a modern king. This concept is so simple. STICKY FLOOR. That’s about it. And yet he makes absolute magic out of it. He gives us a solid fight sequence, genuine humor and some cheeky, sexy stuff. Everything you want, really. This fight might not be the most ferocious action sequence he’s done but, as far as comedic ideas go, this one is up there I think. It’s great.
The fight is from The Myth which I’m not going to post a link to because it’s not very good. It has three great action sequences in it (including this one). Track it down at your own peril.
Just Christian, filmmaker, Doctor Strange director and generally great human Scott Derrickson being rebuked by the Church of Satan for aligning Trump with them.
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